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01/04/1911 Where do I start? Liz Taylor

My camel is a kind fair, efficient and fast, very fast. A couple of weeks I contacted him to ask for material and the next day and had a phone message telling me that everything was. I have to talk to my friend and explain the theory of a common friend: you have to be that of tontaina boy. What reason is. Pure wisdom. Anyway I will not mess with this issue. The fact is that when I was with my friend also commented that the last album had come out of North Mississippi Allstars and asked if he had put on the list. I said no. And I thought damn, I better make a list of disks and just zillions ask for one that did not include in the list. Delusional. And then our children will quarrel because we ask for Jessie doll and say they already have a Buzzlightyear , Woody and Mr. Potato . You have to fuck.

So in these are. We have access to all the music with ease. Much has been written on the subject and I will not bring anything that is not known. Only comment that the artifact in the photo on this post contains 40 discs and is at 50% capacity. Know, enjoy and take full advantage of all that music would take time. The day is not enough for both. So to be selected. But where to start? In pre-Internet era it was hard to get everything put on the lists. In some cases could take months even a year to achieve a given disk. The process itself was exciting. Am I complaining about the ease with which you get everything today? No. Absolutely not. The tool is good at using is the key. In rationalizing the enjoyment of music. Before court gave the same records over and over again because I had more. Today I have more but you have to choose and enjoy on your needs. Because the way to get the music does not have to involve also change the way to enjoy it. I've never been one to if not at first listen I like what I prefer to give him another chance disposal. Today with so much crammed it's hard not to fall into that temptation, but I plan to not give up so easily and devote time to the music as much as I did before everything was so easy. Because there are still thousands of songs to discover.

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Yesterday I sent My message brother's death telling me Liz Taylor, one of those actresses belonging to the movies I've grown up and which often recurs. Liz was definitely my favorite. Started very young and became very popular in films with Mickey Rooney and was developing a brilliant career at the same time lived with passion and disagreement. Her relationship with Richard Burton filled pages and pages. He was also an intimate friend, savior and platonic love Montgomery Clift. And above all an actress who had everything. I like many of his films, but I have a predilection for three: A Place in the Sun, Cat on a Hot Tin Roof Giant and . Liz goes.

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John Mellencamp.

I asked a friend what I looks like the last album John Mellencamp , No Better Than This and replied that I can not comment yet because despite what gave me at Christmas I have not given enough court. Almost always linked the music to a state of mind and ultimately my vein festive triumphs over all. When I click to Mellencamp always turn to the exuberance of The Lonesome Jubile , the strength of Whenever we wanted or dynamic versions of No More Trouble . Now that spring comes, the landscape begins to change and summer is just around the corner but I can hardly find time for dark matter and for some reason No Better Than This is in that category. At the end is an entirely subjective and passenger. But while I wait to find the room for No Better Than This all day I think it's great to listen again and hamburguers Hotdogs , un tema que me pone eufórico.

Drivin' down on a dry summer's day

Old Route 66 and I was just a kid

Met a pretty little Indian girl

ALong the way

Got her into my car

And tried to give her a kiss

I'll give you beads and wampum

Whatever it takes, girl, to make you trade

She jumped into the back seat

And she kinda flipped her lid

She said you're tryin' to get something for nothing

Like the Pilgrims in the olden days

We rode for a while till the sun went away

And I realized it was sort of an honor

Bein' around this girl

I felt embarrassed

Of what I tried to do earlier that day

She was the saddest girl I ever knew

She told me stories about the Indian nations

ANd how the White man stole their lives away

And although she kinda liked me

She could never trust me

And when the sun comes up

We'd go our different ways

Now everybody has got the choice

Between hotdogs and hamburgers

Every one of us has got to choose

Between right and wrong

And givin' up or holdin' on

So I dropped her off at some railroad crossing in Texas

An old Indian man was waiting there

He smiled and thanked me

But he saw right through me

I could tell he didn't like me

For my kind he did not care

Because to him I was the White man

The one who sold him something that he already owned

And it was like he'd been riding in the car right there with us

And I felt ashamed of my acations

And the way the West was really won

So I drove down the highway

Till I Came to Los Angeles

The town of the angels

The best this country Can Do

I got down on my knees

And I Asked for Forgiveness

I Said, Lord, forgive us for we know Not What we do

Now everybody has got the

choice Between hotdogs and hamburgers

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hamburguers Hotdogs and Pearl Jam. Social Distortion

2011 presents interesting for fans of Pearl Jam. Among the releases related to the band are expected deluxe reissues Vs and Vitalogy , the premiere of a documentary directed by Cameron Crowe and a festival organized by the group to be held in any U.S. city central. Sufficient incentive for the writer. And one of the things that makes me especially excited is the new presentation of Vs, which along with Code is not my favorite record of the will of Seattle. I have curious to see included. I imagine it will live up to the reissue of Ten , so that a colleague told me is very cool. The band will celebrate its twentieth anniversary in style. I expected no less.

I know that for most fans of Pearl Jam is your favorite album Ten. In this album wraps a mythical aura that lasts through the years. I remember at the time I liked but did not have it on a pedestal. I like it but the record I was blown away by this band was the second, known as Vs De Ten on today there are songs that are dispensable when I see them live and they could Vs for my entire play. To taste. On that subject I know I'm in the minority, heh, heh.

Months before this album was published in 93 the rumor mill fire in all directions. Keep in mind that Ten had sold nearly ten million albums and every step of the band was followed very closely by many people. Among the things that leaked at the time remember reading that would be a punk album, which was full of rage, the friend Vedder was isolated and gave the bebercio because it exceeded the entire subject of fame ... All very grunge, very of the era, a period charm for me. At the end as usual there was some truth and some not so but what matters is the music. And containing Vs endures and keeps well. My first listen of the album was produced at the legendary program of 4 to 3 to Brian Paco Perez was broadcast on Radio 3.

It is often said that the second disc is the most difficult for a band. The way to settle is full of trickery. And the danger is compounded if the first record has been a huge success as the case of Ten or Shake Your Money Maker of the Ravens. You can lose the key. Or maybe try to repeat the formula of the first. Or you can succeed and improve this. Drain off the music and say that you have to say. Vs like The Southern Harmony And Musical Companion falls into the latter category. Not as overwhelming as in the case of Black Crowes but not for long.

Pearl Jam sound to me spontaneous and fresh Ten Vs The epic is replaced by an immediacy and an urgency that makes it extremely attractive. And issues like Go, Animal, Glorified G, Leash Blood or pointing in that direction with brilliant results. The acoustic moments remain essential issues in my association with this band. I never tire of Dissident Daughter and . Elderly Woman Behind The Counter In A Small Town still seems vital to their concerts. still makes my hair like hooks when I hear it sing Vedder I just want to scream ... hello ... WMA has a special charm that Abruzesse percussion and end with Indifference is just perfect. And a luxury when performed with Ben Harper in Madison Square Garden on tour Riot Act , another hard to claim. Although this is more than just that one. In order that 2011 promises many good things, one of them since then reissue VS.

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Vs. Hard times and Nursery Rhymes

about three weeks ago my friend passed me a copy Grushecky of Hard Times and Nursery Rhymes of Social Distortion one of the discs was more willing to listen recent years. Mike Ness is not exactly prolific and spend a few years between each release. I took it eagerly, looking forward, to burn. Expectations were high and the first listen invited to go on and on ... This is also one of the most accessible albums of this band, those who come to the first. A flash irresistible. Then I stopped listening a week (has emerged so) and I started again this and my conclusions do not differ too much from the initial impressions.

listen to a band along the way with admirable consistency. It all starts with Hank Williams and Johnny Cash as he likes to always say to Ness. For this group influences have always been well defined. No need to hide. Are in the back of Cheating at solitaire. You must have enough songs and stories to tell. Mike's friend Ness has both. The common theme is, What?. So often in Woody Allen or Paul Auster and when the Muses haunt them correctly for me are irresitibles. Worth the wait when your stereo sounds wonderful as California (Hustle and Flow), Diamond in the rough, blues Machine gun, Bakersfield or Can not take it with you .

There are some new shades or at least not previously heard on any album Social Distortion, as the wonderful female vocals with a touch of gospel California (Hustle and Flow) and Can not take it with you and some songs that exploit a more melodic vein, even pop Far Side of Nowhere or Writing on the wall. In the first case with brilliant results in the second less so. version of Alone and Forsaken Hank Williams fits perfectly into an album that opens with an instrumental another curiosity perfect for warming the atmosphere, Zombie Road. The issues are less convinced me Writing on the Wall and Still Alive, both as a good friend would lack punch but on the way Ness has left me enough songs that flit through my head a good season and again when you least expect classics.